Vera
Cruz DVD and Posters
Movie Review – Vera Cruz (1954)
By Ugur Akinci
VERA CRUZ -- Two 19th century "soldiers of
fortune," one survivor of the Civil War with a "soft spot" for
sick horses and social justice (Gary Cooper playing Ben Trane),
the other a charming and money-greedy happy-trigger killer (Burt
Lancaster at his grinning best, playing Joe Erin), search for
their next dollar down in Mexico at a time when the country is
torn between Emperor Maxmillian and the nationalist peasant army
trying to overthrow him.Since the
Emperor got the most cash, our hired guns agree to serve the
Emperor by escorting a certain Countess to the city of Vera Cruz
by passing through territory under rebel control. On the way to
Vera Cruz, both fighters discover 3 million dollars in gold coins
(intended to buy guns for the Emperor from France) hidden at the
bottom of the stagecoach carrying the Countess and she is not
totally unaware of the fact either. She has her own plans too. All
three plot against the other two to scoop the treasure away.
Betrayal is not an issue. It's not even personal. It's just
business.
After a few gunfight and ambush scenes
between the Maxmillian's escorting army and the peasant rebels,
justice reigns and Ben Trane emerges as the noble soul who
triumphs over crass materialism despite the "soft spot" in his
heart that Joe Erin took for weakness. He does not live long
enough to correct his foolish ways.
This is the movie to see to learn how a
bullet can be pulled out of the leading man's (Lancaster) arm by
the other leading guy (Cooper) by using nothing more than a cold
unsterilized pocket knife, while the wounded patient is leaning
against a tree and the whole thing is accomplished within seconds
too! As soon as the bullet is out, the patient is on his horse,
giving one heck of a chase to the unfortunate perpetrator. They
don't make hired guns this tough no more.
Cinematography of Ernest Laszlo is beyond
compare. Most of the shots is worthy of a calendar page.
A beautifully shot movie in which Ernest
Borgnine and a very young Charles Bronson also do their parts.
A 6 out of 10.
Ugur Akinci, Ph.D. is a Creative
Copywriter, Editor, an experienced and award-winning
Technical Communicator specializing in fundraising packages,
direct sales copy, web content, press releases and hi-tech
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You can reach him at
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Sweet Smell of Success DVD
Movie Review – Sweet Smell of Success (1957)
By Ugur Akinci
SWEET SMELL OF SUCCESS (1957), a Burt Lancaster and Tony Curtis
steamroller about the ruthless rules of professional survival and
success in the Big Apple.
This film is shot only 8 years
after Criss Cross (1949) in which Lancaster again plays the lead
role but Tony Curtis shows up for a few seconds, perhaps in his
first appearance ever on screen, as the samba partner of an
anonymous woman at the club scene. (IMBD claims he is not credited
but I remember a tiny little "Anthony Curtis" mentioned somewhere on
the credits list.) So SWEET SMELL is a testimony to the way Curtis's
career has catapulted within those 8 years.
The movie is replete with
fantastic exchanges and sharp lines revealing character and
intricate plot, and why are we surprised?
It was penned by the legendary
Ernest Lehman (whom we have unfortunately lost in July 2005) who
also wrote classics like Who's Afraid of Virginia Wolf, North by
Northwest, Sabrina, West Side Story, Sound of Music and many others.
Lehman is the only screenwriter that Academy honored with a Lifetime
Achievement Award.
Burt Lancaster is J.J. Hunsecker,
a power-maniac national rumor columnist with 60 million readers who
can bend grown men out of shape with a few choice lines in his daily
column.
Tony Curtis is the sleazy but
dangerous bottom-feeder press agent Sidney Falcon who will do
anything to be the top dog in a "dog eat dog world."
When JJ asks Falco to stop
guitarist Steve Dallas from carrying on a love affair with his
sister, Falco unleashes a web of deceit that ultimately fires back.
But too many lives are bruised in
a no-holds-barred power game where blackmail is common currency and
all is fair.
An uncompromising courageous look
at the gritty underbelly of New York's media and publicity empire.
An unconditional 9 out of 10.