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This new installment of Batman follows its
predecessors in that the why Bruce Wayne becomes Batman hasn’t
changed: He sees his parents killed by a mugger as a kid and from
then on is raised by his trusty butler Alfred (Micahel Caine) and
once he becomes grown feels the need to save Gotham City from the
same criminal element that killed his parents. What is different is
that for the first time the transformation from traumatized,
orphaned kid to avenging, vigilante is believable. The film spends a
great deal of time, the first hour in fact, addressing how
witnessing the murder of his parents has affected him, from the
guilt he feels that he couldn’t save them, to the rage he feels for
the man responsible for their deaths. We also finally get an
explanation as to why he chooses a bat as his alter ego that is not
only plausible but believable and compelling. Michael Goyer did an
excellent job humanizing Batman with this script. Instead of seeming
supernatural or extraordinary, he comes across as a man in need of
redemption from a haunting and tragic past, one who pursues his
version of justice for the purging of his own soul as much as it is
for the purging of Gotham City’s. Christian Bale has found his calling as the
young Bruce Wayne turned Batman. He is the perfect mix of self
assurance and arrogance, vulnerability and insecurity. As the
playboy Bruce Wayne he is sexy, alluring and charmingly
irresponsible. As Batman he is anger, fear and justice personified.
The duality in his personality is pulled off without a hitch and the
switch between billionaire playboy, and winged vigilante is
seamless. Who knew the emaciated actor from the Machinist would find
his perfect fit in a role that had all but been played out. Also, the movie doesn’t suffer from its all
star supporting cast one bit. Liam Neeson, Michael Caine and Morgan
Freeman are excellent as always in their respective roles as mentor,
butler and scientific genius. Neeson as the counselor and mentor to
the young Bruce Wayne that teaches him all he knows is tough, smart
and mysterious. Caine is excellent as the wise and understated
Alfred, the only family Wayne has left and his guardian after his
parents’ death. And Morgan Freeman is Batman’s personal Q as the man
responsible for creating all of the gadgets, including his costume
and the famed batmobile that we’ve come to expect from the Batman
movies. Each man puts in an excellent performance which is to be
expected from such gifted actors. The one sour note on the acting front was
Katie Holmes. While she’s gushing over being Tom Cruise’s new gal
pal she should ask him for a few acting lessons because goodness
knows every time she appeared on screen the movie came to a
screeching halt. Calling her performance awful doesn’t quite cover
things. She plays Rachel, childhood friend of Bruce Wayne turned
love interest and the one honest person, along with a detective at
the police precinct, left in Gotham City. As an adult Rachel is
assistant DA and the only one left to shake Gotham loose form the
criminal element that has its hold on the city. The problem is Katie
Holmes as Rachel has the personality of a nut and the chemistry
between Holmes and Bale is so non-existent that calling it
non-existent is a gross understatement. I say feel free to kill her
off in the sequel, the movie could only improve from such an
editorial decision. Despite Holmes’ awful performance Batman
Begins is excellent entertainment, immense fun and a great way to
spend your afternoon. For once the Batman movies have fulfilled
their potential and promise and I can honestly say I can’t wait for
the sequel. (C) 2005 T.S. Johnson
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