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John Wayne Facts
John Wayne's  father Clyde was a pharmacist with a lung condition which required him to move wife Mary and son Marion to the warmer climate of southern California where they tried ranching near the Mojave desert.  Next the family moved to Glendale where Marion delivered medicines for his father, sold newspapers, and had an Airedale dog named "Duke" where John Wayne got his nick name. He went to USC on a football scholarship 1925-27. Tom Mix got him a summer job as a prop man in exchange for football tickets. On the set he became close friends with director John Ford for whom, among others, he began doing bit parts, some billed as John Wayne. His first featured film was Men Without Women (1930). After more than 70 low-budget adventures,  Ford cast him in Stagecoach (1939), the movie through which he emerged as a major star. He appeared nearly 250 movies, many of epic proportions. From 1942-3 he was in a radio series "The Three Sheets to the Wind" and in 1944 he helped found the Motion Picture Alliance for the Preservation of American Ideals, later becoming its president. His right-wing political stance was also reflected in Alamo, The (1960) which he produced, directed and starred in. His superhawk stand was enshrined in Green Berets, The (1968) which he co-directed and starred in.  He received the Best Actor nomination for Sands of Iwo Jima (1949) and the Oscar for his role as Rooster Cogburn in True Grit (1969). A Congressional Medal was struck in his honor. He is perhaps best remembered for his parts in the cavalry trilogy -- Fort Apache (1948), She Wore a Yellow Ribbon (1949) and Rio Grande (1950).

John Wayne's height was 6 foot and 4 inches.

John Wayne holds the record for most leading roles 142 of them.

John Wayne and his buddy, actor Ward Bond, frequently played practical jokes on each other. In one incident, Bond bet Wayne that they could stand on opposite sides of a newspaper and Wayne wouldn't be able to hit him. Ward Bond set a sheet of newspaper down in a doorway, John Wayne stood on one end, and Bond slammed the door in his face, shouting "Try and hit me now!" Wayne responded by sending his fist through the door, flooring Bond (and winning the bet).

Another interesting story, the evening before a shoot he was trying to get some sleep in a Las Vegas hotel. The suite directly below his was that of Frank Sinatra, who was having a party. The noise kept Wayne awake, and each time he made a complaining phone call it quieted temporarily but each time eventually grew louder. Wayne at last appeared at Sinatra's door and told Frank to stop the noise. A Sinatra bodyguard of Wayne's size approached saying, "Nobody talks to Mr. Sinatra that way." Wayne looked at the man, turned as though to leave, then backhanded the bodyguard, who fell to the floor, where Wayne knocked him out by crashing a chair on top of him. The party noise stopped.

John Wayne turned down the roles of Dirty Harry, Patton, and the lead role in the Dirty Dozen.

In the Duke's final years he would do an action scene and then have to wear a respirator to catch his breath due to all the cigarettes he smoked. He refused to let it stop him from doing his action scenes. His smoking habit was at it's peak during the filming of the Alamo.

John Wayne Quote
"Talk low, talk slow, and don't say too much."

John Wayne Stories
Wild Wild Westerns

In the early days of Hollywood, for studios like Universal Westerns were the easiest films to make. They required very few props and made use of the wide-open spaces available in the area. Even the smallest studio, sometimes an empty space between two buildings known as a lot, could easily film outside. It was a cheap and effective way to involve audiences in wild chase scenes involving pure heroes like the white clad Tom Mix going after dastardly villains. One time a theater was showing a Western, when the film suddenly broke right at the climatic scene. An emotional audience member yelled out," Hurry up and fix it before they get away!"

The master of the Western was John Ford, who felt that the genre was the purest form of movie making. In 1956, he and John Wayne went to their regular spot the Monument Valley in Utah to make the powerful chase movie The Searchers. Location shooting allowed the two old friends to relax by camping out, playing cards and avoiding contact with the studio executives that Ford despised. The only problem was unpredictable Utah climate could delay filming. Ford turned to a local Navajo Medicine Man. "Sir I will pay one hundred dollars if you can accurately predict the weather." The Shaman shut his eyes went into a trance and said,"Rain!" Sure enough it did rain. The grateful director asked him to repeat his efforts the next day. "Mmm, cloudy!" Again success. But on the third day when asked the Medicine Man shook his head sadly and said,"Can not tell weather today" Ford's pipe fell out of his mouth." Really. Why is that?" The Medicine Man replied," Transistor radio broke!"

Ford's relationship with the Navajo in Utah was usually cooperative. He would offer them parts in films and generally provide a welcome boon to a depressed economy. In 1948, while filming another Wayne Western called Fort Apache, he hired two locals to create smoke signals. It took several hours but then finally the technicians finished the task. As the smoke arose from the ground the assembled cast and crew watched in awe. The silence was broken when one of the Navajo Extra's stated,"Wow, I wish I'd said that!"

About the Author

Stephen Schochet is the author and narrator of the audiobooks "Fascinating Walt Disney" and "Tales Of Hollywood". The Saint Louis Post Dispatch says," these two elaborate productions are exceptionally entertaining." Hear realaudio samples of these great, unique gifts at www.hollywoodstories.com.

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