Butch Cassidy and the Sundance Kid

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Early life

Redford was born in Santa Monica, California, the son of Martha W. (née Hart) and Charles Robert Redford Sr., a milkman-turned-accountant from Pawtucket, Rhode Island. He has a half-brother, William, from his father's re-marriage. Redford is of English and Scots-Irish ancestry.

He attended Van Nuys High School in Los Angeles, California (where he met Natalie Wood), graduated in 1954, and received a baseball scholarship to the University of Colorado, where he was a pitcher. He lost the scholarship due to excessive drinking, possibly fueled by the death of his mother, which occurred when Redford was 18. He later studied painting at the Pratt Institute in Brooklyn and took classes in theatrical set design at the American Academy of Dramatic Arts in New York City.

Career

Television

Redford's career, like that of almost all major stars who emerged in the 1950s, began in New York, where an actor could find work both on television and on stage. Starting in 1959, he appeared as a guest star on numerous programs, including The Untouchables, Alfred Hitchcock Presents, Route 66, Dr. Kildare, Playhouse 90, Tate, and The Twilight Zone, among others. He earned an Emmy nomination as Best Supporting Actor for his performance in The Voice of Charlie Pont (ABC, 1962). One of his last television appearances was on October 7, 1963, on the ABC medical drama about psychiatry, Breaking Point.

Work on stage

Redford's Broadway debut was in a small role in Tall Story (1959), followed by parts in The Highest Tree (1959) and Sunday in New York (1961). His biggest Broadway success was as the stuffy newlywed husband of Elizabeth Ashley in Neil Simon's Barefoot in the Park (1963).

Silver screen

While still largely an unknown, Redford made his screen debut in War Hunt (1962), co-starring with John Saxon in a film set during the last days of the Korean War. This film also marked the debuts of Sydney Pollack and Tom Skerritt. After his Broadway success, he was cast in larger feature roles in movies.

Redford became concerned about his blond male stereotype image and turned down roles in Who's Afraid of Virginia Woolf? and The Graduate. Redford found the property he was looking for in George Roy Hill's Butch Cassidy and the Sundance Kid, scripted by William Goldman, in which he was paired for the first time with Paul Newman (1969). The film made him a bankable star and cemented his screen image as an intelligent, reliable, sometimes sardonic good guy, and Redford became one of the most popular stars of the 1970s.

Redford suffered through a few films that did not achieve box office success during this time, including Downhill Racer (1969), Tell Them Willie Boy Is Here (1969), Little Fauss and Big Halsy (1970), and The Hot Rock (1972). But his overall career was flourishing, with the critical and box office hit, Jeremiah Johnson (1972), the political satire The Candidate (1972), The Way We Were (1973) and The Sting (1973), for which he was nominated for an Oscar.

During the years 1974-76, exhibitors voted Redford Hollywood's top box office name. His hits included The Great Gatsby (1974), The Great Waldo Pepper (1975) and Three Days of the Condor (1975). The popular and acclaimed All the President's Men (1976), directed by Alan J. Pakula and scripted once again by Goldman, was a landmark film for Redford. Not only was he the executive producer and co-star, but the film's serious subject matter, the Watergate scandal, also reflected the actor's offscreen concerns for political causes.

He also starred in the baseball film The Natural (1984). Many sports viewers mark it as one of the best baseball films to date.

Redford has continued his involvement in mainstream Hollywood movies, though projects became fewer and farther between. He appeared as a disgraced Army general sent to prison in the political thriller, The Last Castle (2001), directed by fellow political junkie Rod Lurie. Redford, a leading environmental activist, narrated the IMAX documentary Sacred Planet (2004), a sweeping journey across the globe to some of its most exotic and endangered places. In The Clearing (2004), a thriller co-starring Helen Mirren, Redford was a successful businessman whose kidnapping unearths the secrets and inadequacies that led to his achieving the American Dream. Redford stepped back into producing with The Motorcycle Diaries (2004), a coming-of-age road film about a young medical student, Ernesto Guevera—who later became revolutionary Che Guevera—and his friend Alberto Granado. Five years in the making, Redford was credited by director Walter Salles for being instrumental in getting the film made and released. Back in front of the camera, Redford received good notices for his turn in director Lasse Hallstrom's An Unfinished Life (2005) as a cantankerous rancher who is forced to take in his estranged daughter-in-law (Jennifer Lopez)—whom he blames for his son's death—and the granddaughter he never knew he had when they flee an abusive relationship. Despite solid acting, the film, which sat on the shelf for many months while its distributor Miramax was restructured, was generally dismissed as clichéd and overly sentimental. Meanwhile, Redford returned to familiar territory when he signed on to direct and star in an update of The Candidate.

Behind the camera

Redford had long harbored ambitions to work on both sides of the lens. As early as 1969, Redford had served as the executive producer for Downhill Racer. His first outing as director was in 1980's Ordinary People, a drama about the slow disintegration of an upper-middle class family, for which he won the Academy Award for Best Director. Redford was credited with obtaining the powerful dramatic performance out of Mary Tyler Moore, as well as superb work from Donald Sutherland and Timothy Hutton, who also won the Oscar for Best Supporting Actor.

Redford did not direct again until The Milagro Beanfield War (1988), a well-crafted though not commercially successful screen version of John Nichols' acclaimed novel of the Southwest. The Milagro Beanfield War is the story of the people of Milagro, New Mexico (a real place off I-40 near Alburqueque) overcoming big multi-million dollar developers who set about to ruin their community and force them out because of tax increases. Other directorial projects have included the period family drama A River Runs Through It (1992), based on Norman Maclean's novella, and the exposé Quiz Show (1994), about the quiz show scandal of the late 1950s. Redford worked from a screenplay by Paul Attanasio with noted cinematographer Michael Ballhaus and a strong cast that featured John Turturro, Rob Morrow, and Ralph Fiennes. Redford handpicked Morrow for his part in the film (Morrow's only high profile feature film role to date), because he liked his work on Northern Exposure. Redford also directed Will Smith in The Legend of Bagger Vance (2000).

Besides his directing and producing duties, Redford continued acting. He played opposite Meryl Streep in Sydney Pollack's Oscar-winning Out of Africa, Michelle Pfeiffer in the newsroom romance Up Close & Personal, and Kristin Scott Thomas in The Horse Whisperer, which he also directed. Redford also continued work in films with political undertones, such as Havana (1990), Sneakers (1992), Spy Game (2001), and Lions for Lambs (2007).